’ Chapter Nine As she devoured the simple meal of bread and cheese, and several slices of cold roast beef, the whole washed down with a poor sort of coffee, Melusine listened with avid interest to the details of her mother’s life as revealed by the exclamatory conversation of Joan Ibstock. The program was to include a Bach cantata, her favorite piece from Rimsky-Korsakov’s Scheherazade, and for the first time ever, a student composition, a Concerto, by a precociously talented fellow student named Martin Chen. It tore her apart. I struck him across the mouth, and across the eyes. And I have no more the pistol. He had been hard since they had taken their clothes off. She could not move. They were talking of “Alcide,” as they often did in those days. So I come suppliant. She was dressed in a tattered black stuff gown, discoloured by various stains, and intended, it would seem, from the remnants of rusty crape with which it was here and there tricked out, to represent the garb of widowhood, and held in her arms a sleeping infant, swathed in the folds of a linsey-woolsey shawl. She could not see what occurred, though she guessed it; but she saw Jonathan's devilish triumphing glance, and read in it,—"Your son has committed a robbery—here—in these holy walls—he is mine—mine for ever!" She uttered a loud scream, and fainted. “He does not come here,” she exclaimed, quickly. Perhaps it was loneliness. There was no answer.
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