The close-fitting round gown, if a little oldfashioned with its very narrow waist and wide skirts, was becoming on a full figure, and the low décolletage, unencumbered by any form of covering, exposed a good deal of bosom. “Oh, please. "A bit up in the world again; eh?" "Why did you bother with me?" "Because no human being has the right to die. Here the ribs of a thousand pounds beating against the Needles— those dangerous rocks, credulity here floated, to and fro, silks, stuffs, camlets, and velvet, without giving place to each other, according to their dignity; here rolled so many pipes of canary, whose bungholes lying open, were so damaged that the merchant may go hoop for his money," A less picturesque, but more truthful, and, therefore, more melancholy description of the same scene, is furnished by the shrewd and satirical Ned Ward, who informs us, in the "Delectable History of Whittington's College," that "When the prisoners are disposed to recreate themselves with walking, they go up into a spacious room, called the Stone Hall; where, when you see them taking a turn together, it would puzzle one to know which is the gentleman, which the mechanic, and which the beggar, for they are all suited in the same garb of squalid poverty, making a spectacle of more pity than executions; only to be out at the elbows is in fashion here, and a great indecorum not to be threadbare. "I'll tell you a dream I had last night," continued the unfortunate being. Piercing through every crevice in the clothes, it, in some cases, tore them from the wearer's limbs, or from his grasp. ‘Aha,’ grunted Gerald with satisfaction, squinting up at the two open shutters on the second floor. There was one letter. .
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