"Gone," replied the wounded man. Moving swiftly to the end of the corridor, he pushed open a door at random and entered a large room, which looked to have been a saloon, judging from the faded gilt and crimson wall-paper, a mirror above the fireplace which was surrounded by an ornate gilded frame, now sadly tarnished, and a worn Chippendale sofa with striped upholstery and tasselled cushions. She rapped again, louder. She so wanted to keep her memory of him fresh, so wanted to memorize his kisses and to conjure his embrace someday when he was mere dust in the ground. He stabbed into her with brute force. And not only did these tentacular generalizations gather all the facts of natural history and comparative anatomy together, but they seemed always stretching out further and further into a world of interests that lay altogether outside their legitimate bounds. The whole place and everything in it aimed at one thing—to illustrate, to elaborate, to criticise and illuminate, and make ever plainer and plainer the significance of animal and vegetable structure. “It was a phase,” she said. In after years, some pitying hand supplied the inscription, which ran thus— JACK SHEPPARD THE END.
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