With this view, Jack was carried—for he was no longer able to move without assistance— to a ward called the Castle, situated over the gateway on the western side, in what was considered the strongest part of the jail. Already he was dramatizing Ruth, involving her, now in some pearl thieving adventure, now in some impossible tale of a white goddess. Not far from the entrance, on the left, was a sort of screen, or partition-wall, reaching from the floor to the ceiling, formed of thick oaken planks riveted together by iron bolts, and studded with broad-headed nails. He seemed to be about to move toward her.
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